The eight acolytes surrounding Ewost'atéwos are depicted to underscore
their devotion and allegiance. Only the vibrant, swirling patterns of
their colorful robes animate and
distinguish the otherwise identical figures. The painting's considerable
scale suggests that it was the property of a monastery, whose
historical origins and ties to neighboring communities it recorded.
According to Jacques Mercier, an authority on Ethiopian culture, this is
the only known icon from northern Ethiopia dedicated to a monastic
genealogy.
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